Wednesday, 28 May 2008

ALBUM: The Futureheads - This Is Not The World

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I've been a fan of The Futureheads since a friend lent me a copy of their debut album shortly before that Kate Bush cover sent them towards stardom and became their biggest hit, and somewhat ironically, their most well known song. Since then, success has been few and far between, culminating in their removal from 679 recordings (now "re-branded" as the hypercool "sixsevennine"), but I'm almost pleased. Don't get me wrong, I like them, a lot. But I would hate any Johnny Kooks-lover to pick up a copy of News & Tributes and play it at their local NME-sponsored indie-disco. But, of course, they never would.

Apart from the aforementioned Hounds Of Love, The Futureheads eponymous debut was full of immediate, punky songs that wore their hearts on their sleeves while still being humourous and engaging. About what We Are Scientists are try (and fail) to accomplish in their songs (although WAS win the prize for the funniest mailouts and videos for a bantamweight Indie band). News & Tributes was, the more mature and gentle second album, featured some songs that followed the pop-punk family tree from Fugazi to Fall Out Boy, and unfortunately fewer of the close harmonised post-punk that made their debut so comfortable.

Clearly unable to repeat their original plan, and surely not wanting to repeat their sophmore mediocrity, the Sunderland four-piece went back to their own studio, and promptly plotted their revenge on 679. This Is Not The World is the result.

Opener "The Beginning Of The Twist" shows that through their label drop they haven't skipped a beat - a Futureheads classic in the making, and straight back to what they are good at - Anthemic songs with choruses that make you want to scream along. "Walking Backwards" seems to start as a bastardised version of "A to B" but quickly rises to a chorus all of its own.

By track three, the Jam-esque "Think Tonight", it seems as if they've realised their perfect formula. Take a few parts of their revivalist debut, throw in a few more classic post-punk leanings and then simmer all the parts together for over three minutes. But that's the problem - it seems that they now feel the need to make tracks that you actually start to get bored of. Past the three minute mark and each song starts to wear a bit thin. This is a new problem, as on The Futureheads, none of the songs lasted three minutes, and on News & Tributes not many of the songs were that interesting to begin with.

Take for example, the single "Radio Heart". The title phrase is sung exactly 17 times in the 3 minute course of the song, and the word "Radio" is used a further 6 times. And this is pretty much what every song is like - as if - dare we say it - they've run out of ideas.

However, latest single "This Is Not The World" and "Broke Up The Time" are two songs where the formula almost works to perfection, reminding the humble listener that The Futureheads always sounded a little bit like The Jam, really, and they always repeated their lyrics a lot. Still I can't help but think that a lot of these songs could benefit from being trimmed back by a solid minute.

Ultimately however, the tracks are all of a similar standard, and there isn't a lot to pick out of the crowd, but the result is a solid album that builds on, if only slightly, their previous body of work.

My favourite tracks: "Broke Up The Time", "Sale Of The Century" and "The Beginning Of The Twist"

7/10

This Is Not The World is out now on nul records.

You might also like this live review.

Monday, 26 May 2008

MySpace Mystery Tour, Again

This time, we kick off with a local band who I stumbled across via Facebook, strangely. They are from Dartford in Kent, where I went to School, and despite this, they don't suck.

Okay, so Post-Rock bands are getting a little more commonplace, but CODES IN THE CLOUDS do one of the better Explosions In The Sky impressions I've ever seen. Their debut single "Distant Street Lights" could be on any of EITS's albums and I would never have noticed the difference. Some would say this is insulting, and it is to a point, but they do seem jolly good for a band that are still (essentially) on the toilet circuit. The guys are signed to British indie label Erased Tapes.

www.myspace.com/codesintheclouds

One of their top friends, THE BRITISH EXPEDITIONARY FORCE, even have a song named "Cracks in the Clouds". This Newcastle based group have a slightly less derivative sound, but I fear that may only be because I don't know enough about post-rock. Related more closely to Múm than their countrymates Sigur Ros, their stuttered electronica also reminds me of Four Tet's less awkward moments and Low's subtle and dark stylings. However, none of this hides what is essentially some fantastically poppy arrangements that have me torn between declaring these guys a collective genius or just being a bit too try-hard and pretentious.

http://www.myspace.com/thebritishexpeditionaryforce

From here, we come across Danish indie-pop in the form of EFTERKLANG. Like Architecture In Helsinki but without all that really annoying stuff that happens when they actually play a song, you know, the music bit. "Caravan" is about at atmospheric and orchestral as this sort of stuff gets, but its a wonder why no one has ever done before. My guess is they tryed and ended up sounding too much like The Arcade Fire for anyone to notice. In fact they've released two albums and the name does seem a bit familiar; one of these bands that something like the London Lite interviews because they are vaguely on the cusp of being massive but are also a bit leftfield - only not quite enough to offend their readers.

They are currently touring North America and have an absolute shitload of UK festival appearances lined up over the summer. Probably worth a go.

http://www.myspace.com/efterklang

I clicked on a link called RUMRAKET, which sounded as if it was going to be a boy-girl duo who combine hard house samples with live percussion based around smashing their heads against dustbins and possible each other. Luckily, however, it appears to be a burgeoning (although with a large roster and many releases to their credit) Scandinavian record label - in the same way that Ed Banger are to French House, Rumraket is to Northern European Indietronica. They've even got Amiina, the string quartet who play with Sigur Ros and US Hype band Grizzly Bear signed up, and are actually formed by the previous group, Efterklang.


Now I'm off to see if they've got a label sampler for sale...

http://www.myspace.com/rumraket

Saturday, 17 May 2008

Crystal Castles rip off?

Crystal Castles have been accused by a number of high profile Chip-tune artists (yeah I had no idea either) of ripping them off.

More specifically, remixing their songs without crediting them and for commercial gain.

From wikipedia:

"In mid-2008, Crystal Castles became focal in several plagiarism disputes. Pitchfork Media and The Torontoist published stories about Crystal Castles' use of Trevor Brown's artwork without permission. The image, depicting a black-eyed Madonna,[23][7] was used by the band on merchandise, after being found on an "old flyer, without credit", with the hope "that the artist might reveal themselves and make contact".[7] The band were also alleged to have plagiarised several songs from the chiptune community, including "Insecticon", which shares similarity with a song by Lo-bat called, "My Little Droid Needs a Hand", and were accused of "stealing the beat" from Covox's "Sunday", in the song "Love and Caring"."

Weird.

Anyway more posts soon, I swear, its all gone a bit quietly recently as I procastinate for exams and revision, etc.

Sunday, 4 May 2008

Reading/Leeds Festival Line-up reaction UPDATE! Part 3

NME/RADIO ONE STAGE ADDITIONS
READING SUNDAY
THE MUSIC
Hey remember us, you guys? When sounding like Kasabian was still cool? What do you mean that never happened?

HADOUKEN!
I would be tempted if I didn't feel as if I'd be woefully out of place here. I really didn't like "That Boy, That Girl", was only mildly interested in "Liquid Lives", and not been turned by anything I've heard since, but they are named after a move from Street Fighter. Hmm, decisions.

LIGHTSPEED CHAMPION
Test Icicles were arses, really. With songs like "Weezer vs. Foo Fighters" and "Boa vs. Python", their only release For Screening Purposes Only, was pretty shocking, only made up for the fact that their label signed them because they though they were going be like Franz Ferdinand. Anyway, regardless, they were amazing fun live, so much so that hearing them play actual songs was a great dissapointment. Lets hope that this, Dev Hynes' solo project, is a bit better musically.
CAJUN DANCE PARTY
They were one of my "bands to drop everything and see" last year but they turned out to be a bit wank in the "playing live" department. With an album newly released and another (apparently) on the way, lets hope their show has improved a little bit.

ADAM GREEN
Former member of the Moldy Peaches, Adam is touring his new album Sixes and Sevens.

YEASAYER
One of a clutch of a new wave of "experimental" American Indie bands alongside MGMT and Grizzly Bear, continuing the good work of their predecessors. Should be fun.

THE METROS
Sub-razorlight, sub-kooks, sub-kings cross rent boys all over cack, unfortunately from my neck of the woods, Saaarff Laandan.

I will not be covering the Lock-Up stage because I don't anything about it. It's unlikely that I will venture in there, but this does not mean I think it is all rubbish, just that I'm not that bothered. Or something.

DANCE STAGE
READING SUNDAY
CSS
Looks like I have someone to see instead of Metallica and The Cribs. CSS will have released their second album "Donkey" by then, which reportedly has a much more serious and rocky sound. The song "Rat Is Dead (Rage)" is availiable from their website now.
Can't wait to Hear: Their brilliant cover of L7's "Pretend We're Dead"

DIGITALISM
The German duo return to Reading to play another blistering set. I'd heartily recommend their album "Idealism" for any Daft Punk fans, or anyone who think Simian Mobile Disco are better than Justice.
Can't Wait to Hear: "Anything New"

SIMIAN MOBILE DISCO
So, the album was a bit weak, and the above mentioned Idealism was far better, but apparently these guys do a really good show and may well be a bit of a laugh. Their remixes are certainly better than their original stuff, anyway.
Can't Wait to Hear: Any of their remixes.

CHROMEO
These guys are a bit odd, and after two albums of their electrofunk stylings, they are still going strong. Fancy Footwork is the more recent, and the better of the two.
Can't Wait To Hear: "Fancy Footwork"

CRYSTAL CASTLES
The Canadian duo of Ethan Kath and Alice Glass return to the Dance stage with the new album under their belt. Apparently they are awesome live.
Can't Wait To Hear: "Knights"

LETHAL BIZZLE
Funfact: I saw Lethal Bizzle the other day having a waterfight outside the Wedgewood Rooms ahead of his gig later that night.

HOLY FUCK
These improvising electronic Canadians are said to put on an amazing live show, and having missed them twice already, I really want to see what they can do.

THE WHIP
After a string of singles, the Manchester electro-poppers released their debut album "X Marks Destination" not long ago. It's alright, but is a bit too much White Rose Movement and not enough Rapture.

ROBOTS IN DISGUISE
This trio of Mighty Boosh extras (Dee Plume is dating Noel Fielding and the entire band have appeared in both the series and the Live tour) are apparently in a band. And have released 3 albums. Who knew?

THE SHOES
Not a clue + laziness = end of post!

Reading/Leeds Festival Line-up reaction UPDATE! Part 2

NME/RADIO ONE STAGE ADDITIONS
READING SATURDAY
SEASICK STEVE
I saw him perform at last years inaugural Connect Festival at Inverary in Scotland, and he was absolutely brilliant. He produced Modest Mouse's first album dontcha know.

THE TING TINGS
I think these guys have passed me by. I did listen to one of their songs, I think, but it was pretty boring. Saw them on TV the other day too, they appear to only have a drummer and a singer. I don't get it. Kids today, eh?

MYSTERY JETS
Returning to Reading at roughly the same slot they had in 2006, the Eel Pie Island dwelling bizarros are currently touring their new Stephen Street and Erol Alkan produced album "21", which is in shops now.

SANTOGOLD
One of those occasions when the name is familiar but you don't actually know anything about them. Wikipedia tells me she is an American singer-songwriter whose sound is comparable to Tamil tearaway MIA.

JOE LEAN AND THE JING JANG JONG
The worst name for a band since Vincent Vincent and the Villains, they aren't very good at their Razorlight impression either, managing to sound worse, somehow.

KIDS IN GLASS HOUSES
All I can say about these guys is that when I walked past the queue for them playing the Wedgewood Rooms a few months back, 80% of it was 14 year old girls wearing black and pink with to much makeup. AVOID AVOID.

BOMBAY BICYCLE CLUB
Pleasant jangly pop written by teenagers, for teenagers. See also: Cajun Dance Party.

Thursday, 1 May 2008

Reading/Leeds Festival Line-up reaction UPDATE!

MAIN STAGE ADDITIONS
BRITISH SEA POWER (Saturday Reading)
BSP make a welcome return to Reading with their debut appearance on the main stage. Which is a bit of a dissapointment really. They are a tent band through and through and the crowd at the main stage will remind them of it. Still an amazing band though.
Can't Wait to Hear: "Lately"

THE AUTOMATIC (Saturday Reading)
What's that that's over the hill? It's a... erm... crappy band. Working on their second album hasn't made them much more money. They're already a Pennie down. badum tish.

ALEXISONFIRE (Sunday Reading)
Comment goes here.

NME/RADIO ONE STAGE ADDITIONS
READING FRIDAY
JACK PENATE
Obviously a bit of an early booking after his show on the Carling Stage last year, but now the album's gone it seems as if the fans may have as well? Although I do like one of his songs, I can't remember which. But it matters little as they're all pretty much the same anyway.

ONE NIGHT ONLY
By managing the unfeasible trick of having their first "hit" just be another way of saying their name (it was called "Just For Tonight), ONO's abbreviation says it all too well. If it was for One Night Only, why are you still around?

THE DUKE SPIRIT
I saw these guys around the release of their first album being very out of place supporting KASABIAN at Ally Pally. They weren't particularly impressive, but I think my tastes may well have come around to theirs, especially as I wouldn't be seen dead at a Kasabian gig anymore.

BE YOUR OWN PET
Uh-oh, a possible clash here with BSP, but I will willingly make the dash between Main stage and big top for the chance to see BYOP's energetic live show.
Can't Wait To Hear: "Wildcat!"

BLOOD RED SHOES
Returning after last year's tumultous set in the Carling Stage, Laura-Mary and Steven will hopefully play to a slightly bigger crowd this time around.
Can't Wait To Hear: " I Wish I Was Someone Better"

MAKE MODEL
Scottish Indie-folk scamps have got another busy year of festivals and support slots (As I type this, their myspace has them scheduled to support Indie cruiserweights The Fratellis, We Are Scientists and The Futureheads) before their debut album is released at some point in the autumn.