Showing posts with label futureheads. Show all posts
Showing posts with label futureheads. Show all posts

Wednesday, 28 May 2008

ALBUM: The Futureheads - This Is Not The World

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I've been a fan of The Futureheads since a friend lent me a copy of their debut album shortly before that Kate Bush cover sent them towards stardom and became their biggest hit, and somewhat ironically, their most well known song. Since then, success has been few and far between, culminating in their removal from 679 recordings (now "re-branded" as the hypercool "sixsevennine"), but I'm almost pleased. Don't get me wrong, I like them, a lot. But I would hate any Johnny Kooks-lover to pick up a copy of News & Tributes and play it at their local NME-sponsored indie-disco. But, of course, they never would.

Apart from the aforementioned Hounds Of Love, The Futureheads eponymous debut was full of immediate, punky songs that wore their hearts on their sleeves while still being humourous and engaging. About what We Are Scientists are try (and fail) to accomplish in their songs (although WAS win the prize for the funniest mailouts and videos for a bantamweight Indie band). News & Tributes was, the more mature and gentle second album, featured some songs that followed the pop-punk family tree from Fugazi to Fall Out Boy, and unfortunately fewer of the close harmonised post-punk that made their debut so comfortable.

Clearly unable to repeat their original plan, and surely not wanting to repeat their sophmore mediocrity, the Sunderland four-piece went back to their own studio, and promptly plotted their revenge on 679. This Is Not The World is the result.

Opener "The Beginning Of The Twist" shows that through their label drop they haven't skipped a beat - a Futureheads classic in the making, and straight back to what they are good at - Anthemic songs with choruses that make you want to scream along. "Walking Backwards" seems to start as a bastardised version of "A to B" but quickly rises to a chorus all of its own.

By track three, the Jam-esque "Think Tonight", it seems as if they've realised their perfect formula. Take a few parts of their revivalist debut, throw in a few more classic post-punk leanings and then simmer all the parts together for over three minutes. But that's the problem - it seems that they now feel the need to make tracks that you actually start to get bored of. Past the three minute mark and each song starts to wear a bit thin. This is a new problem, as on The Futureheads, none of the songs lasted three minutes, and on News & Tributes not many of the songs were that interesting to begin with.

Take for example, the single "Radio Heart". The title phrase is sung exactly 17 times in the 3 minute course of the song, and the word "Radio" is used a further 6 times. And this is pretty much what every song is like - as if - dare we say it - they've run out of ideas.

However, latest single "This Is Not The World" and "Broke Up The Time" are two songs where the formula almost works to perfection, reminding the humble listener that The Futureheads always sounded a little bit like The Jam, really, and they always repeated their lyrics a lot. Still I can't help but think that a lot of these songs could benefit from being trimmed back by a solid minute.

Ultimately however, the tracks are all of a similar standard, and there isn't a lot to pick out of the crowd, but the result is a solid album that builds on, if only slightly, their previous body of work.

My favourite tracks: "Broke Up The Time", "Sale Of The Century" and "The Beginning Of The Twist"

7/10

This Is Not The World is out now on nul records.

You might also like this live review.

Friday, 30 November 2007

The Futureheads @ King's College Student Union, 29/11/2007

The Futureheads

Tonight is an oppurtunity for The Futureheads to showcase some songs from their third album, but before anyone in the crowd can even think about that, Detroit four-piece HiFi Handgrenades have an opportunity to wow a London crowd on the last date of their UK "tour".


Well, I have to hand it to these guys, they do a great impression of Millencolin. And of Sum 41. In fact, all the major pop-punk bands of the nineties are thrown into the mix. But its been so long, this stuff almost seems retro. At least for me. Taking you back to a simpler time, when pop-punk was all about girls and wanking. Occasionally in that order. Rather than nowadays, with your My Chemical Underpants and your Fall Out Boy singing about dead people and... whatever Fall Out Boy sing about.

www.myspace.com/hifihandgrenades

When these guys are done, it's up to Dananananakroyd (I think that's how its spelt) and their six-pronged, two-drummered attack of noise from Glasgow with pride. To be honest, these guys kicked some arse. Both drummers broke their sticks within the first song from playing to hard. Even though song names were lost in the noise, and the singer's diving into the crowd to scream into the mic was a little annoying, by sheer enthusiasm and guts, they put on a great, if somewhat shambolic show.

www.myspace.com/dananananaykroyd

So, without much further ado, the main event begins and The Futureheads kick off their first UK show in 2007 with classics "Meantime" and "The City Is Here For You To Use" before playing, for the first time in the UK, free mailing list song "Broke Up The Time". Whilst this isn't a massive change in direction for them, with the usual power-pop-punk hooks and singalong chorus, its still a fairly promising preview of their unreleased, although finished third album, and the song itself leads to a small group in the crowd to chant "Fuck 679", which doesn't go on unnoticed by the band.


Other new tracks scattered amongst the majority of the first album and only a couple of tracks nervously selected from News And Tributes (including single "Skip to The End" and "Worry About It Later") are "Everythings Changing Today", "Radio Heart" and "The Beginning of The Twist". Finishing on debut album closer "Man Ray", the band were soon back out for an encore including fan favourites "Area" and "Piece Of Crap" as well as live rarity "Picture of Dorian Gray" that left many fans crying for even more.

However, with the new tracks being slightly "more abrasive" as promised, if only still within their previous indie-pop confines, the new album is unlikely to win them over many new fans, but will definately be welcome for those whose preference was their eponymous debut rather than their "more mature" sophomore effort, which, although enjoyable, never really lived up to its predecessor.

Their as-yet-untitled third album look set to be released early next year.
www.myspace.com/thefutureheads
http://www.thefutureheads.co.uk/